Episode 11
int. victor’s greek mansion – tunnels
BO and VICTOR are standing at the base of the stairway. Bo has
a memory flashback.
int. GALA - flashback
Flashback to May 23, 1986 (original footage) of BO holding a
gun on VICTOR and Caroline yelling at Bo not to shoot because he's his father.
int. victor’s greek mansion – tunnels – present
BO snaps out of his memory. Bo turns to Victor with tears in
his eyes.
bo
Dad I’m sorry...I’m so sorry.
victor
What is it son? What's wrong?
Dr. Rolf
(quietly, to
himself)
We can't stay down here much longer. Years and years of therapy
to get Bo to where he is now...it could all be destroyed in a matter of hours.
int. victor’s greek mansion – upstairs hallway
HOPE, CHELSEA, SHAWN and CIARA head down the stairs to the main
level of the mansion when Hope suddenly stops. She has a new vision. She sees
BO crying. Hope is visibly shaken as she snaps out of her vision.
shawn
Mom, are you OK?
hope
I’m fine.
shawn
You’re not fine. What is it?
hope
(unconvincingly)
It's OK. Let's just get back to the search. We need to find
your dad.
CHELSEA pulls out the blueprints her mom sent.
chelsea
K...we’ve searched everything upstairs. On this floor we have
the living room, dining room, the study – whatever that is...the library,
kitchen, servants quarters, and some sort of...medical wing.
CHELSEA looks up and her eyes meet HOPE’S. Hope smiles with a
raised eyebrow.
hope
That's where we will start.
ext. victor’s italian Mansion – vineyards
KAYLA and STEVE walk toward the vineyard where we see the 4 WORKERS.
The SHACKLED MAN is now back on his feet, picking grapes and placing them in
the basket with the others.
steve
Good afternoon everyone.
The lead worker, MICHAEL, steps up and extends his hand to
shake STEVE’S.
MICHAel
Good afternoon. My name is Michael. Isabella radioed down and told
me about your car breaking down. Feel free to walk the grounds while you wait
for a tow truck.
steve
Yeah, thanks. I’m Steve and this is my wife Kayla.
michael
Nice to meet both of you. Now if you’ll excuse me, I have to
get back to work.
STEVE is a little put-off by MICHAEL’S abruptness but wants to
continue the small-talk in the hopes that he gets information about the SHACKLED
MAN without arousing suspicion.
steve
This is quite the estate you have here.
michael
(continues working and speaks without looking up)
Yes, it's beautiful isn't it.
KAYLA is discreetly trying to get a good look at the SHACKLED
MAN who is facing away from them as he's picking grapes and putting them in the
basket.
steve
Quite beautiful. Do you all live here?
michael
Yes. We tend to the vineyards, as well as the rest of the
property.
steve
Wow. So the owner of this place, does he live here too? Is he
around much?
michael
What’s with all the questions? If you don’t mind, we need to get
back to work. Please - enjoy your walk.
KAYLA can't take her eyes off the SHACKLED MAN.
steve
(with raised hands in defense)
Just tryin’ to be friendly, man.
STEVE grabs KAYLA’S hand and gives her a little tug.
kayla
Thank you.
STEVE and KAYLA go to walk past the rest of the WORKERS when
they hear ISABELLA (OS) calling them.
isabella
Excuse me! Your tow truck has arrived!
KAYLA quickly glances back towards the WORKERS. The SHACKLED
MAN has turned to reveal his face and their eyes meet. Kayla stops in her
tracks. She recognizes the face of EJ DiMera.
int. victor’s DUBAI PALACE – library
SHANE, KIMBERLY and ROMAN are all standing in the library,
exhausted after searching the palace.
roman
Well, this has been a huge waste of time. We’ve searched this
place top to bottom and haven’t found a damn thing.
shane
At least we can check it off the list, and hopefully the others
have had better luck.
Meanwhile in the BG, KIMBERLY continues to look at all the
books. She pulls one partially out to take a look and pushes it back in
place...then another...and another. She looks up a shelf and sees a book
entitled “Salem”.
kimberly
(quietly, to herself)
That’s strange.
KIMBERLY pulls the library ladder over and climbs up to get the
book. As she pulls the book, a hidden passageway door opens.
SHANE and ROMAN are startled by the sound and look over at the
open passageway. They all stare wide-eyed and open-mouthed.
wipe to:
Split screen – int. dubai palace – ext. italian vineyard
Split screen of SHANE, KIMBERLY, and ROMAN staring at the
passageway (LS), with EJ staring at KAYLA (RS).